Scott merrill male model-Scott Merrill - Men's Track and Field - University of Maine Athletics

Scott Merrill, an architect known for his originality and creative application of architectural precedents, has been named the recipient of the Richard H. Driehaus Prize at the University of Notre Dame. His designs span from single-family houses to master plans and include an impressive variety of building types such as a federal courthouse, apartment buildings, town halls, an equestrian center and an acclaimed chapel in Seaside, Florida. After graduating from the University of Virginia, Merrill went on to receive a master of architecture degree from Yale University. The firm, known for its integration of building type and site planning, has designed projects in varied locales including England, Haiti, New Zealand, Russia, Saudi Arabia, Scotland and the United Arab Emirates as well as throughout the United States, Canada and the Caribbean.

Scott merrill male model

Scott merrill male model

Scott merrill male model

Scott merrill male model

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Scott Merrill, an architect known for his originality and creative application of architectural precedents, has been named the recipient of the Richard H. Driehaus Prize at the University of Notre Dame. His designs span from single-family houses to master plans and include an impressive variety of building types such as a federal courthouse, apartment buildings, town halls, an equestrian center and an acclaimed chapel in Seaside, Florida.

After graduating from the University of Virginia, Merrill went on to receive a master of architecture degree from Yale University.

The firm, known for its integration of building type and site planning, has designed projects in varied locales including England, Haiti, New Zealand, Russia, Saudi Arabia, Scotland and the United Arab Emirates as well as throughout the United States, Canada and the Caribbean.

The Richard H. Driehaus Prize at the University of Notre Dame was established in to honor lifetime contributions to traditional, classical and sustainable architecture and urbanism in the modern world. The prize is awarded annually to a living architect whose work has had positive cultural, environmental and artistic impact in keeping with the highest ideals of classical architecture in contemporary society. Maurice Culot Richard H. Beeby Michael Graves Robert A.

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Scott merrill male model

Scott merrill male model

Scott merrill male model

Scott merrill male model

Scott merrill male model. Scott R Pinheiro, CPFA, ChFC, CLU

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Scott Merrill (scottmerrill) on Pinterest

He began practicing solo in Florida in , and works at a range of scales, in a form true to what the Driehaus celebrates: traditional, classical architecture. Scott spoke with me about what the prize means to him, and his view of architecture as primarily about serving our human nature, not fulfilling a formal agenda.

It's not a grand enough job for you. This was a great interview, good questions and elegant, considered responses. It's nice to hear a human talk about designing for humans without needing to slag off others who design differently. Next year, though, I think the Driehaus prize needs to add some color to their jury. Right now the jury is a buncha white dudes plus Adele Chatfield-Taylor.

What's interesting is the similarities between this years Pritzker winner and Mr. Merrills work, as they both focus on human elements, or our "better natures. And, right on cue You can see who is appealing to our worse natures. If you are sure there is some that shares these values out there, care to name names? Nate, I've been seeing examples all over Twitter etc.

This is an issue, whether you try to brush it off or not. Having spoken at Tuskegee University's architecture program a couple years ago, I know for sure there are diverse people with an interest in traditional architecture, not only in the discipline itself but in related fields like art and history. This is not meant at all to reflect on Mr. Merrill or the prize - I think, and said on the other thread, that it's well-deserved and the work is lovely.

But when I listened to the interview and he mentioned names of jurors my mind immediately went "Oh, a bunch of older white men Well it's not exactly the oscars--everyone is angry at them for lack of diverse nominees, so they are going to have more diverse jurors.

But the issue is more lack of good movies by African Americans. It's a little disengenious to be angry about an award you just found out about. Oh I seek prize. All I see are a lot of white people exploiting race as a platform for personal gain.

As it's always been. Let me know when you see a black person offended by it. Hopefully an African American architect can find inspiration in the art of a white person and vise versa without the kind of gag reflex that some seem to have. To actually hear someone admit that their liberal arts background influences their approach to design?

Heresy these days! The phrase "traditional" has raised hairs on the back of my neck, especially in the context of American Colonial architecture. I think the humanist principles that are an implicit part of the competition are identified through the apparent use of humble materials and a scale of construction defined by the ability of a human to complete construction with "limited" technical means.

Added to that is that idea of optimism built into the architecture. It seems to me if you consider that as a tradition, there are other types that could be considered and serve to find cultural precedents. Mulberry row at UVa could inform the surge of homeless housing leading to a critical architectural examination. The shotgun shack has already been reconsidered by Larry Sass, and I would love to hear how the would consider the work of the rural studio which totally challenges the aesthetics of what is on hand and can be done by hand to better the conditions of a community I can already imagine it.

I guess it's the lack of wiggle room in how these values are physically manifested that bothers me. IMO there's too much representation bias built into the selection process. Having come from an institution that values those principles and returns to them often, I still think there's a lot more traditional out there, that what is being suggested. Imagine how that could impact architecture. Perhaps that is why Mr. Merrill was so general and didn't want to pin down what is "traditional" or "classical" in his work.

He said something about being open, and his work doesn't look exactly classical. There is a lot of interesting stuff you can take away, even regarding history of race and its relation to this kind of architecture that is still evolving. But it's a bit divisive or dismissive a la Bernie Sanders to think about things buildings or people so simplisticly. Representation should be a goal, not a bludgeon to shit on everything. Think he brought up a lot of interesting points.

I'm not angry about an award I just found out about, Nate, is that what you're saying? I'm old; I've known about this prize since its inception it's also awarded out of Notre Dame, in my state. And I'm not angry, I'm making a suggestion. As Marc says, and as you say immediately above, there is a lot of interesting work that could be considered within the limits of a prize for Classical architecture.

With Krier and Porphyrios on the jury you're not likely to make deep inroads into a far more interesting conversation, IMO. Think there's a larger conversation, but that's not really the point of this award. That is to reward a certain kind of building Though I think humanistic architecture is universal I liked the interview, although I might have to listen again to fully understand the Human Nature bit, granted I was working Beauty, harmony, and context are hallmarks of classical architecture, thus fostering communities, enhancing the quality of our shared environment, and developing sustainable solutions through traditional materials.

To honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture. Form is all the media CAN understand and relay to the public, anything beyond that takes interest and understanding, and enough to care about what we're actually talking about.

But the media does not administer the competition, and some members of that jury remember the media when it was called "Rizzoli. I'm endlessly fascinated by the notion that "maybe" black people, or POC don't get recognized for creative works, because they either don't do good works, or just don't occupy an area filled with white guys.

It's hard to pull yourself up by your bootstraps, when your laces are withheld from you, by classists and racists. Marc can you say a little more about the use of the word "traditional"?

I know traditional is applied to Classical, but I maybe due to being raised and educated in Arizona think of traditional as vernacular. To your point, I'd agree- vernaculars are traditional, and by definition exemplify the defining characteristics or processes valued by a group. Vernaculars should be considered as part of the competition. When I think of "traditional," or hear the phrase applied to something, I can always hear the follow-up, "because we've always done things that way.

That isn't the way we've always done things. These representations of culture have evolved with technology and available materials, borrowing- at times shamelessly- from contexts that had no relevance early on reference the small disagreement around the origin of porches as part of a houses in the United States.

Furthermore, look at architecture and urbanism in the NE vs. Those are two really different traditions that don't point to one tradition. In some respects, I think that is the last period we really saw how we always build. I appreciate the attention to detail universally.

But it's not the architect I question, its how the phrases are used. Traditional architecture means architecture influenced by, or descending from, great architectural traditions. I think that Traditional Architecture includes both the Vernacular and the Classical. I see vernacular architecture as locally-tuned architecture that's usually simple, humble and often designed and built by people other than highly-trained architects. It sits at the opposite end of a spectrum from the High Classical, which is usually reserved for the most important, most celebrated buildings.

There are many gradations in between these two poles. What a great interview, and kudos to Archinect for allowing Mr. Merrill to speak openly about his motivations.

I also love how politically intelligent his answers where like how he described architecture school or how he uses formal language instead of "style". Then again that is probably why he is so successful.

Either way, it was a pleasure to hear his eminently humane approach articulated so thoughtfully. I hope to learn from him. Human Nature refers to the distinguishing characteristics which humans share, and tend to have naturally, independently of the influence of culture. Innate characteristics, as opposed to learned characteristics. I especially liked hearing Scott's talk about his belief that we should be putting the lives of people at the center of what we do, instead of focusing on formal preoccupations as architects.

It'd be interesting to have him on again in conversation with, say, a Zaha Hadid- or Greg Lynn-styled architect. I loved the part about how he was notified that he ad won, and how he expressed such gratitude about the way the jury personally reached out to him.

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Scott merrill male model