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The film takes place 27 years after the events of "It: Chapter One," in which a group of young kids, who call themselves the Losers Club, take on an evil supernatural force known as "It. Two hours after its release, the trailer had more 1. The film is the most anticipated horror film of the year and could draw bigger crowds than its first installment, which had the biggest opening day and weekend for a horror movie in the history of the film industry in Beverly, played by Jessica Chastain, is soon attacked by the woman after spotting a photo of a man, who looks like Pennywise without make-up, standing next to an old circus cart. In the background, the creepy music from "Chapter One" plays.

All of this to yourself I would I would find a therapist and just currently -- -- -- -- It's gone. Book Associate Hettienne Park We also cut King some slack and removed "The Lawnmower Man" from our watch list, since he fought to have his own name removed from the film and won. Evelyn Adult movie trailer home wife. Giles Winslow. Scott play the sinister men who want to kidnap her and exploit her abilities. I am a yr old married white male and I went to see this film with my wife on a Saturday afternoon. Spacek and Laurie are on another level in "Carrie," and Diapers and water absorbtion Palma captures the evils of the teen experience and religious oppression so powerfully that even the film's strangest moments seem natural.

Daisy marie dirty latina maid. Every Stephen King Movie, Ranked Worst to Best (Photos)

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Sign in. Find out why the comedy veteran thinks you're going to like how things wrap up for the Pied Piper gang. Watch now. Title: Christopher Robin The Incredibles hero family takes on a new mission, which involves a change in family roles: Bob Parr Mr Incredible must manage the house while his wife Helen Elastigirl goes out to save the world.

Decades after her original visit, the magical nanny returns to help the Banks siblings and Michael's children through a difficult time in their lives. Six years after the events of "Wreck-It Ralph," Ralph and Vanellope, now friends, discover a wi-fi router in their arcade, leading them into a new adventure.

A young girl is transported into a magical world of gingerbread soldiers and an army of mice. A young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven.

Paddington, now happily settled with the Brown family and a popular member of the local community, picks up a series of odd jobs to buy the perfect present for his Aunt Lucy's th birthday, only for the gift to be stolen.

Feature adaptation of Beatrix Potter's classic tale of a rebellious rabbit trying to sneak into a farmer's vegetable garden. While searching for honey, Pooh and his friends embark on an adventure to find Eeyore's missing tail and rescue Christopher Robin from an unknown monster called, The Backson.

A selfish prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.

A young elephant, whose oversized ears enable him to fly, helps save a struggling circus, but when the circus plans a new venture, Dumbo and his friends discover dark secrets beneath its shiny veneer. A suit-wearing, briefcase-carrying baby pairs up with his 7-year old brother to stop the dastardly plot of the CEO of Puppy Co. An adult Christopher Robin, who is now focused on his new life, work, and family, suddenly meets his old friend Winnie the Pooh, who returns to his unforgotten childhood past to help him return to the Hundred Acre Wood and help find Pooh's lost friends.

Written by Jon Meyer. I am a yr old married white male and I went to see this film with my wife on a Saturday afternoon. I was blown away by the acting, the CGI, the storyline as well as the "life-lessons". The cinematography is superb with sweeping panoramas vistas , gorgeous colors combined with stunning CGI.

This film is very family friendly: no violence, no profanity, no sex. Milne's stories. Explore popular and recently added TV series available to stream now with Prime Video. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.

Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A working-class family man, Christopher Robin, encounters his childhood friend Winnie-the-Pooh, who helps him to rediscover the joys of life.

Director: Marc Forster. Writers: A. Milne based on characters created by , Ernest Shepard based on characters created by as E. Added to Watchlist. From metacritic. Top Movies of Trending Summer Movies. Family Movies. Future Priority. Ewan McGregor. Peliculas Share this Rating Title: Christopher Robin 7. Use the HTML below.

You must be a registered user to use the IMDb rating plugin. Nominated for 1 Oscar. Learn more More Like This. Incredibles 2 Animation Action Adventure. Stars: Craig T. Nelson, Holly Hunter, Sarah Vowell. Mary Poppins Returns Comedy Family Fantasy. Ralph Breaks the Internet Animation Adventure Comedy. Stars: John C.

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The Grinch Animation Family Fantasy. A grumpy Grinch plots to ruin Christmas for the village of Whoville. Dumbo The Boss Baby Christopher Robin Hayley Atwell Evelyn Robin Bronte Carmichael Madeline Robin Mark Gatiss Giles Winslow Oliver Ford Davies Old Man Winslow Ronke Adekoluejo Katherine Dane Adrian Scarborough Hal Gallsworthy Roger Ashton-Griffiths Ralph Butterworth Ken Nwosu Paul Hastings John Dagleish Matthew Leadbetter Amanda Lawrence Young Christopher Robin Katy Carmichael Christopher's Mother Tristan Sturrock

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The red-band trailer for the film has some tongue-in-cheek charm as the family members seem out of their element in hunting down Weaving, wielding axes, crossbows and antique guns while also accidentally impaling or shooting several housemaids in the process. Christopher Murphy.

Stephen King isn't just an author by this point: He's an institution, a legacy of classic horror stories that capture our imaginations, fuel our nightmares, and speak -- when he's at his best -- to our shared experiences as flawed, emotional beings. The best King stories scare so many of us that we all feel connected, and even the worst are usually pretty fun. King's books and short stories quickly became hit movies, many of them celebrated in their time, and some flopped so hard that hardly anybody remembers them.

Cataloguing every adaptation might be a fool's errand, so we made some tough choices and decided to focus only on his theatrical releases. And even then, there are so many King adaptations that it gets tricky. The sequels to King's work rarely have anything to do with the source material, so they're all disqualified even though some, like Larry Cohen's prescient anti-fascist monster drama "A Return to Salem's Lot," are genuinely interesting.

We also cut King some slack and removed "The Lawnmower Man" from our watch list, since he fought to have his own name removed from the film and won. There are also some adaptations that are simply difficult to find in America, like the Indian adaptions of "Misery" and "Quitter's, Inc.

We promise we tried. Even with all those caveats we felt one particular film deserved a quasi-official, honorable mention. Before we rank into every theatrically-released Stephen King adaptation let's give out one honorable mention Stephen King wrote only one installment of this feature film version of the "Tales From the Darkside" TV series, but it's a doozy.

Darkly humorous and surprisingly gross, it's definitely the highlight of this anthology -- although the other installments aren't half-bad. Tobe Hooper's adaptation of King's short story about a haunted laundry machine is insane in all the wrong ways. It's a tonally scatterbrained, shrieking, overacted mess of a movie. Too bizarre to feel real, too abrasive to work as camp, "The Mangler" is about as bad as a Stephen King movie can get.

John Cusack and Samuel L. Jackson are two of the only people in the world who weren't talking on their cell phone when a weird psychic zombie virus was unleashed through all the earpieces. The concept was already outdated by the time "Cell" barely came to theaters -- we all know everyone would be texting nowadays -- but the film's weak characters, laughable mythology and bizarre finale are the real reasons why this adaptation flops. Joan Allen and Anthony LaPaglia seem like the perfect married couple.

But while her husband is off on one of his many business trips, Allen discovers that he's actually a serial killer. Essentially a dramatic two-hander, Allen and LaPaglia have a few great moments as they find their marriage going through unexpected changes, but Peter Askin's generic direction neutralizes most of the suspense, and the storyline peaks early and quickly fizzles out. It's not terrible; it's just dull.

Thomas Jane plays a farmer plotting to kill his wife in this Netflix original, but of course irony rears its ugly head and his uppance doth come. Sadly, like his character, he can't quite get away with it.

You'd think Stephen King's short story about industrial workers fighting killer rats would make for an entertaining creature feature, but "Graveyard Shift" dawdles too long and doesn't get to the icky good stuff until closer to the end, and there isn't enough drama to keep us engaged until then.

But at least it's got Brad Dourif, playing a fascinatingly intense exterminator who steals every single scene he can find. Scott play the sinister men who want to kidnap her and exploit her abilities. It starts well, but the movie loses focus for most of the second act before picking up again with a genuinely explosive climactic battle. A series of full-moon murders convinces a disabled boy, played by Corey Haim, that a werewolf is on the loose in his town.

Naturally, no one believes him, and naturally, he's right. Gary Busey shines as Haim's miscreant uncle, and Everett McGill is tragic and scary as a cursed priest, but "Silver Bullet's" subpar production values and completely unconvincing monster effects drag down this otherwise likable film.

Stephen King's tale of a young couple trapped in a town overrun by homicidal kids is a great idea for a movie, but Fritz Kiersch's adaptation wanders aimlessly in search of scares, and the over-the-top supernatural finale is unintentionally hilarious. Linda Hamilton and Peter Horton make little impression as our heroes, but at least John Franklin and Courtney Gains are scary as hell as the teen cult villains. Bryan Singer's bleak coming-of-age drama stars Brad Renfro as a teenager who cons a fugitive Nazi, played by Ian McKellen, into revealing his darkest secrets, and the relationship they form is unwholesome to the extreme.

It's undeniably scary, and Renfro and McKellen give great performances, but almost every scene in this film seems reminiscent of the accusations against Singer accusations, so it's still incredibly hard to get through.

It's important to remember that some Stephen King stories are completely nuts, and if you need an example, look no further than "Dreamcatcher.

It's too absurd to take seriously, but if you get on this film's bonkers wavelength, it's undeniably amusing. Stephen King's first original screenplay, "Sleepwalkers" stars Alice Krige and Brian Krause as mother-son cat monsters who are also lovers. Cheesy and lurid, with very questionable visual effects and storytelling choices, but at least Mick Garris' film is never boring.

Stephen King's enormous fantasy epic yielded a frustratingly small and conventional movie adaptation. Tom Taylor plays a youngster who stumbles into a timeless battle between good and evil, represented by the heroic Roland Deschain Idris Elba and the villainous Walter Padick Matthew McConaughey. The CGI action and rushed storyline are pure Hollywood hackery, but Elba is so incredibly charismatic that the film is watchable -- disposable, but watchable -- anyway.

Jonathan Jackson stars as a death-obsessed college student who hitchhikes home to visit his sick mother and encounters a grim specter of death along the way. But at feature length, this material feels pretty skimpy. Another well-constructed film, made increasingly uncomfortable by context. Johnny Depp stars as a troubled, struggling, once-popular artist, accused of plagiarism by a mysterious stalker played by Jon Turturro.

David Koepp's adaptation of "Secret Window, Secret Garden" is relatively slick and suspenseful, but it's difficult to watch a film about Depp threatening his wife and losing his mind without mentally sidestepping into some unsettling and distracting territory.

The second film in Stephen King and George A. Romero's horror franchise, this time directed by Michael Gornick, is more of a mixed bag than the original, with the conventional vengeful statue yarn "Old Chief Wooden Head" completely failing to pass muster. Fortunately, the slime monster short "The Raft" makes up for it, and road-trip ghost story "The Hitch-Hiker" concludes "Creepshow 2" on an amusingly grim note.

Both actors make the most of their roles, with Moore in particular having a wild time. However, this respectable but unremarkable remake never quite feels as raw and frightening as the original. Robert John Burke stars as a corrupt, heavyset lawyer who uses his mob connections to stay out of jail after he accidentally hits an old gypsy with his car.

Her widower curses him to get "thinner," every single day, until he wastes away into nothingness. Tom Holland's film is a nasty piece of work that plays more like a cruel joke than a feature film.

But as cruel jokes go, it's a good one. The only film that Stephen King directed himself, "Maximum Overdrive" tells the story of a group of strangers who get trapped at a gas station when all the machines on Earth come to life and start killing everybody. Terrorized by vehicles and vending machines, they're forced to fuel the trucks, and it's just about as ridiculous as it sounds. Arnold Schwarzenegger stars as a wrongly accused man, forced to fight for his life against colorful superpowered murderers for the benefit of a live studio audience.

The action is entertainingly bizarre, and iconic game show host Richard Dawson plays a fantastically evil version of himself. It's an effective media satire and a ripping sci-fi thriller. Frank Darabont's second Stephen King adaptation tells the story of Depression-era death row inmates and guards, whose lives are forever altered by the arrival of a mysterious, magical new prisoner.

Director Andy Muschietti knows how to build a great scare, and "It Chapter Two" has some doozies, but the conclusion of this horror epic falls prey to tedious mythologizing and a flashback structure that treats the adult Losers like afterthoughts in their own story.

It's a disappointing conclusion to the instant classic "Chapter One. Anton Yelchin stars as a young boy who becomes fascinated with his new neighbor, played by Anthony Hopkins, who has strange psychic powers. Scott Hicks's coming-of-age film is slight, frequently to a fault, but the performances by Yelchin and Hopkins and Hope Davis as Yelchin's self-obsessed mother are so rich and excellent that "Hearts in Atlantis" makes a strong impression anyway.

Directed by Vincenzo Natali, who previously made a simple geometric shape seem terrifying in "Cube," this adaptation of a novella by King and his son, Joe Hill, excels at transforming everyday vegetation into the stuff of nightmares. The plot gets bizarre, and eventually flies off the rails, but "In the Tall Grass" stays riveting regardless.

In the Tall Grass A little boy calls for help inside a field of grass, prompting a brother and sister to search for him and get hopelessly lost inside a verdant labyrinth of violence and fear.

A serial killer flies from one small airport to another, killing everyone they find, and a tabloid reporter played by Miguel Ferrer is on the case. The supernatural story gets increasingly ridiculous, but that's the point: Ferrer plays a cynic who finds himself suddenly believing the weird tales he peddles.

John Cusack plays a non-fiction writer who spends the night at allegedly haunted hotels, but when he winds up in room he gets more than he bargained for. It's one of the great modern haunting movies. Timothy Hutton plays a novelist almost-but-not-entirely like Stephen King, who wrote under a pseudonym, had that pseudonym exposed, and publicly "killed" his alter ego. George A. Romero's creepy and personal horror story goes in weird directions, but Hutton's impeccable dual performance keeps "The Dark Half" rooted in nightmarish and engrossing allegory.

A scheme to stop smoking goes horribly wrong, a jilted husband makes a deadly wager, and a cat struggles to rescue a little girl from a monster in "Cat's Eye," one of the best horror anthologies of the s. Each segment is an excellent shocker in its own right, with twisted senses of humor and seat-clutching suspense.

The only thing keeping "Cat's Eye" from classic status is the weak framing device, which doesn't do much to connect the stories together, other than the mostly incidental presence of a cat. Max von Sydow opens up a knick-knack store in Castle Rock, Maine, where every customer finds exactly what they desire, and all it ever costs them is a little favor.

Gradually the whole town starts turning on each other, building to a hellish conclusion. Fraser C. Heston's film has a lot of story to fit into just one movie, and sometimes feels rushed, but the fantastic performances by von Sydow, Ed Harris, Amanda Plummer and J.

Walsh more than compensate. It's one of the better horror movies about the insidious power of temptation. Dale Midkiff and Denise Crosby hold their own as the couple mourning their soon-to-be-resurrected child, while Fred Gwynne creates an indelible horror icon as their too-helpful neighbor Jud. The remake of "Pet Sematary" is just about on par with the original, with a few notable changes that keep the story feeling relatively timeless but not entirely familiar.

Carla Gugino and Bruce Greenwood play a married couple looking to rekindle their sex life, but when he handcuffs her to the bed and then falls down dead of a heart attack, their weekend getaway becomes the ultimate nightmare. Gugino gives a tour-de-force performance, and Mike Flanagan's smart and intense direction makes every moment feel like an important piece of a puzzle. Some argue that the ending goes on too long, but without the extended denouement, our hero's journey would mean so much less.

And it's that engrossing journey that makes "Gerald's Game" one of the best King adaptations. Dolores Kathy Bates is accused of a brutal murder, and when her estranged daughter, played by Jennifer Jason Leigh, investigates, she discovers layer after layer of repressed and traumatic memories.

Taylor Hackford's impressive mystery gives Bates and Leigh complex, nuanced characters, and they make the most out of every scene. John Carpenter's King adaptation stars Keith Gordon as a high school nerd who buys a beat-up Plymouth Fury and becomes obsessed with it.

Little does he realize the car is also becoming obsessed with him. A warped and wicked tale, with a boss soundtrack, excellent performances, and some of the best practical visual effects around.